Hundertpro Festival Vol.6.1
Wahrheit & Widerspruch, Wirklichkeiten & Werte
Timetable HundertPro 2025
HundertPro Festival Vol. 6.1 - Now more than ever!
Due to water damage, the HundertPro Festival Vol. 6 had to be cancelled at short notice last summer. After a small update, it will now take place on 12 April 2025: The HundertPro Festival Vol.6.1
At the end of August 2024, after months of collective work and in anticipation of the festival day with our audience and the artists, the festival had to be called off.
Yet festivals like HundertPro are essential - probably more than ever!
Culture and the independent scene in particular are currently experiencing massive cutbacks that threaten their survival in their current state. Social values such as equality, participation and inclusion are being called into question.
Society seems to be becoming more and more divided.
The HundertPro Festival shows the strength and diversity of the independent scene in NRW and beyond. It allows newcomers from the fields of theatre, dance and performance and their productions to take centre stage and amplifies voices that are underrepresented in society. At the HundertPro Festival, audiences encounter topics on stage that are not always comfortable, but are all the more relevant.
‘With the themes of truth & contradiction, realities & values, we deliberately sought out productions and artists that reflect and mirror our complex social fabric, with all its contradictions, personal realities and values that characterise us and our opposing claims to truth.
- Sebastian Brohn, dramaturge at the Ringlokschuppen Ruhr
The HundertPro Festival emphasises the power of community and the coexistence of diverse identities.Founded as a ‘post-migrant’ festival, the sixth edition will continue to explore questions of identity politics, present (post-)migrant biographies on stage and address experiences of racism.
Nevertheless, the festival has continued to develop.
Further topics have been added: Queerness in various facets is celebrated on stage, taboos on mental illness are broken, internalised violence is overcome, social norms are questioned and generational conflicts are addressed.
‘First and foremost, we want to promote dialogue between different people. We want everyone to ponder and reflect on the values they have grown up with or have perhaps unconsciously internalised.
No place is as suitable for this as the theatre, as it is fundamentally and inextricably linked to society and can only exist in a continuous dialogue with it.’
- Amir Mirzaei
The special aspect of the sixth edition (6.1): Not only the dramaturges of Ringlokschuppen Ruhr have selected what will be shown in the festival programme. A multi-departmental team has collectively selected 8 productions from almost 300 applications, which will be presented on the stages of the Ringlokschuppen Ruhr on 12 April 2025.
Come and join us - at the HundertPro Festival Vol. 6.1!
Programme:
HABA NA HABA | Paul Damiano
Dance | Language: EN
Paul Damiano was born in 1993 in Nairobi, Kenya. In 2022, he assisted the art and culture association Do Only Good e.V. for six months as a workshop leader and choreographer in the youth project Instrument to Expression, funded by Chance Tanz. Since the beginning of 2022, he has been working as a dance mediator, dance teacher and dance educator in Wuppertal, Düsseldorf, Iserlohn and Ratingen with young people, school classes and in holiday programmes. Since June 2022, he has been an artist and dancer at Enije for Afrika e.V., based at the Theater im Depot in Dortmund, where he co-develops choreographies and performs together with the Meltingpott Crew, among others.
Artistic direction, Dance: Paul Damiano
Production Manager: Katharina Richter
Music: Eddie Ali
Dramaturgy, Outside Eye: Vivien Musweiler
Choreography: Paul Damiano, Waithera Shreyeck
Graphics, Design: Lina Thöne Mustafa Fuzer
Images, Documentation: Lina Thöne Mustafa Fuzer, Catalina Roldan
Video: Lina Thöne Mustafa Fuzer, Eric Schmidt
‘Haba na Haba hujaza kibaba’ is a Swahili proverb that is mainly taught to children at a young age to encourage them to take life one step at a time. It means that small achievements are among the great successes and goals in life! This solo piece by Paul Damiano from Kenya explores the ways in which playfulness is part of growing up and contributes to one's character and appreciation of life. The play inspires and invites the audience on a journey into the past to remember pivotal moments in their own life story! Haba na Haba is a feel-good play about Paul's very personal life story, his childhood in Kenya, memories and the playful journey of growing up.
BABYLON | Jäckie Rydz
Performance | Languages: GER, POL, ENG
A shortened version of BABYLON will be shown at the HundertPro Festival.
Jäckie Rydz studied stage design at the Berlin University of the Arts and applied theater studies in Giessen. Jäckie has performed in numerous performances and designed stages and costumes since 2019, including stage design for Kinderstar von 6-8 by Zaungäste Kollektiv at Mousonturm Frankfurt and trans/generations by Elena Rose Light at Ringtheater Berlin. As a political activist, Jäckie translated at abortions for people from Poland from 2019 to 2021, participated in the SCHLAU education program for gender and sexual diversity in 2021 and 2022 and organized a workshop for the soundlab Soundsqueer? Vienna in 2023.
Nikolas Tomislav Stäudte studied Applied Theatre Studies in Giessen. Nikolas has worked as a production assistant, performer and costume designer for She She Pop, among others. Since 2018 Nikolas has been part of the organisational and organizational team of the short film festival hungry eyes.
Martix Navrot is a performer, queer rapper and poet, AI researcher and developer of extended reality novelties. He is one half of the queer artist duo Eternal Engine and part of the Nerdka collective. Martix works with media such as 3D, video, VJ sets, AV, VR, AI as well as with real objects or performative lectures. From 2016-2019 he was a member of the queer-feminist underground performance group Pussymantra. Current projects include Xenon Performance at Foksal Gallery Fundation, Enter The Chamber at Skala Gallery, Queer Realities (in development), Tellurian Insider Performance at S_P_I_T Queer Performance Festival. This year he was included in the list of European Change Makers of 2022, published annually by the We Are Europe - Creative Europe project.
Greta Katharina Klein works as a performance artist and producer. An interest in the design of physical-discursive spaces runs through her work practice. She is studying Applied Theatre Studies (MA) in Gießen. In 2023 she was part of the Artist Lab PRODUCING FUTURE AUDIENCES and the Academy for Performing Arts Producer #6. Together with Paula Noack she developed ‘Aufgetischt - Der Freie Szene Podcast!’. In collaboration with Theatre du Poulet and Levin Eichert, she created the participatory city walk ‘BE WATER, MY FRIEND’, which was presented at PQ 2023, among others.
Director, Stage design, Text: Jäckie Rydz
Performance, Costume: Nikolas Stäudte
Music, Performance: Martix Navrot
Production management: Greta Katharina Klein
Dramaturgy/Songbook Text: Teresa Fazan
Visuals: Mateusz Korsak
Technical guest performances: Monika Zyla
Artistic assistance Nowy Teatr: Ada Branecka
Production Nowy Teatr: Angelika Mizinska, Zuzanna Kubiak
Technical direction Nowy Teatr: Tomasz Zin
In BABYLON, three trans performers explore the possibilities of queer reproduction. With poetic texts and an immersive stage set, they recreate the biblical myth of the sinful city of Babylon. As queer bodies, they infiltrate the sacred space of the Catholic Church and assimilate its queer-hostile narratives. In three parts, they test themselves as reproductive figures of the mother, whore and bride. Multilingual in Polish, German and English, BABYLON captures the generational conflict of reproduction and scrutinises its promise of happiness.
NEON SERENADE | Benze C. Werner | unfortunately cancelled due to health reasons, a video recording will be shown at HundertPro
Tanz | Language: GER
Benze C. Werner is a dancer and performer currently based in Cologne. Benze's work is based on an interest in movement-based live performances that incorporate sound works. Other current interests strongly related to this vision are queer families of choice, porn, politics of desire, desire and intimacy. Among other collaborations, Benze has worked with Rafaële Giovanola, Doris Uhlich, Amanda Piña, Tim Behren, Katharina Senzenberger and Özlem Alkış.
Ley Ghafouri is a sound designer, producer and live musician based in Cologne. Rather than being bound to genres, specific instruments and soundscapes, Ley's work is inspired by the needs that connect dey to the artists Ley collaborates with. Ley shifts forms, sounds and words to find ways to express their mutual longings musically.
Elin Tezel is a dancer, performer and choreographer. Elin is interested in working with face as a moving agent that brings about a strong
physical presence. Currently researching anger as a declaration of love for the oppressed. Her last choreographic project "Come Cut this
Throbbing Heart", is derived from this research, incorporating fantasies of revenge and expression of grief at the same time.
Daniela Riebesam is a dancer and performer who is currently studying in the master's program at CCD (Tanzwissenschaft). There she got introduced to the field of dramaturgy, where she likes to combine her knowledge as a dancer, producer, and scholar with her interests in queer, feminist studies, and New Materialism to support the creative work of fellow artists.
Pamela Poldo is a passionate crochet artist. She learned the artistry on the sofa with her mother, who herself learnt it from her own mother and the same going back many generations of women. Tenderness and experimentation are weaven into her patterns. No machine is able to reproduce crochet, just hands passing it to other hands. Pamela Poldo is also a dancer, a clown and a puppeteer.
Lars Ksienzyk lives and works between Cologne and Berlin. He is interested in dance as a transdisciplinary field of collective work with different materials such as film, (critical) theory, journalism, documentary, Physical Theatre and photography.
Concept, Performance, Choreography: Benze C. Werner
Co-Creation, Performance: Aleksandra Demina
Sounddesign, Composition: Ley Ghafouri
Dramaturgy: Daniela Riebesam
Outside Eye: Demetrios Navras, Katharina Senzenberger, ander ballarin
Crochet Artist: Pamela Poldo
Mentor: Sevi Bayraktar
Lights, Technical Support: Marco Wehrspann
Documentation, Photo: Lars Ksienzyk
Photo: Ley Ghafouri
Photo Editing: Fadi Elias
Inspired by gestures of affection and the steps of line dances, this choreography combines moments of togetherness and pleasure with moments of disorientation and uncertainty. Neon Serenade is a dance about cowboy gurls, the loss of intimacy and negotiations of desire. It celebrates the memories of past loves, the touch between friends and fantasies of future connections. A serenade we sing to...
BAALYA | Anand Dhanakoti
Performance
Anand Dhanakoti is a dancer and choreographer. He was trained in Indian martial arts and yoga at the Kalari Gurukulam, studied Flying Low with David Zambrano and graduated from the Contemporary Dance School Hamburg. As a dancer and co-choreographer he has worked with Matej Kejzar, Abhilash Ningappa, Adam Linder and Ursina Tossi among others. His pieces 'Baalya', ‘Kelli’, ’Thuli’, ’Kntsugi’and 'Immer' have been shown internationally. He also holds a BA degree in Economics, Political Science and Sociology from St. Joseph's College, Bangalore.
Eva Campanaro graduated from IDA Ballet Academy and SEAD Salzburg Experimental Academy. Her formation got wider into the circus world in 2018 by beginning her first experience as a choreographer at Carampa (Madrid) and Arc en Cirque (Chambery). She trained with teachers and performers like David Zambrano, Julyen Hamilton, Eduardo Torroja, Jerman Jauregui, Damien Jalet, Edivaldo Ernesto, Francisco Córdova, and Fighting Monkey RootlessRoot. Since 2015, she has started working as a freelancer for international dance companies and contemporary circus projects such as NoGravity Dance Company, Cornelia Dance Company, Bellanda Dance Company.
Yeiner Chicas is a Nicaraguan performer choreographer based in Spain, he is a researcher of the contemporary scene and other artistic disciplines. Chicas has ventured into the Latin American and European continent working as a choreographer, performer and co-creator in dance and audiovisual productions with Alpo Aaltakoski, Kati Kallio , Materia Project, ADN Dialecto, Three Brothers Project, Sedimenti Project Italy.
Amogh Swamy, a writer and musician. Bestselling author of "On my way to Infinity." Music and dramaturgy: Navarasa research project (01/2023) & “Baalya”, K3 |Kampnagel (06/2023). Dramaturgical support: Prana, Shakti & Pastime Sweetness. Poems used in “Panchajanya” at Staatstheater-Kassel and “Shakti”.
Concept: Anand Dhanakoti, Amogh Swamy
Dance and co-choreography: Eva Campanaro, Yeinner Chicas, Anand Dhanakoti
Music: Amogh Swamy
Choreography: Anand Dhanakoti
Baalya is a production by Anand Dhanakoti in co-production with K3 | Tanzplan Hamburg. Premiere supported by the Ministry of Culture and Media of the City of Hamburg and the Hamburgische Kulturstiftung.
Baalya is a movement-based piece that works with elements of circus arts, contemporary dance, improvisation and voice, inviting the audience into a multi-sensory performance based on Anand Dhanakoti's personal experiences as a street kid in the streets of Bengaluru and those of the performers trained in circus arts. It questions how movement and dance change through street experiences and turns the Indian caste system on its head by thinking of choreography from the feet up. In the Indian caste system, people are categorised according to which parts of their body they use to earn a living. The people of the lowest caste act as the feet of society.
LIKE, REALLY CUNT - HundertPro Edition | Marje Hirvonen Choreography
Performance | Language: EN
In her work she deals with themes that she can observe in they environment and that she believes have relevance in our culture. Her works are often interdisciplinary, experimental and unique. Her main medium is the body.
In 2012, she completed her Bachelor's degree in dance with a focus on contemporary dance and ballet at the Cologne University of Music and Dance. This was followed by a Masters in Choreography at the Ernst Busch Academy of Dramatic Arts, Berlin and in Performance Making at the Goldsmiths Institute, University of London.
She has worked with Reut Shemesh, Michael Portnoy and the tanz.tausch festival, among others. Her most recent own projects are LAVATANSSIT at Galerie im Münsterland and like, really cunt, shown at tanz.tausch festival Cologne.
Choreographie, Performance: Marje Hirvonen
DJ: Aaro
Performance: Kendall Mugler
Performance: Kim Gorol
Performance: Essi Laveaux
Performance: David Mendez
Performance: Prudence Dippah-Dina
Like, really cunt is a safe space, a gathering, a party and a cat walk. Five different, unique performers, five biographies on a runway. like, really cunt celebrates feminine energy that reaches beyond biological bodies. Like, really cunt is a playground and a ballroom; It’s playful, tolerant - and extravagant. Invent yourself, be whatever you want to be, and you are seen!
IMPATIENTS | Charlie Wyrsch
Physical Theatre | Language: GER
Charlie Wyrsch, born in 1996 in the Ruhr area, is a performer, actor and theatre maker at the interface of physical theatre, performance, visual arts and theory. After completing a Bachelor's degree in Applied Theatre Studies in Giessen, Charlie is now studying Physical Theatre in Essen. They studied abroad in Prague and at the Norwegian Theatre Academy in Fredrikstad. Charlie's work as an independent theatre maker and performer has been shown at festivals and independent venues, including Tanzhaus nrw, Tanzfaktur Köln, Maschinenhaus Essen, SoloDuoFestival Köln, ZeitZeug Festival Bochum and Hungry Eyes Festival Gießen. Together with Meret König and Valentin Schwerdfeger, Charlie forms the physical theatre collective ‘Sticky Fragments’. So far, they have developed the plays ‘Wenn wir Glück haben, dann löst uns ganz auf’ (2021), ‘Choking on Stardust’ (2022) and ‘Try to Catch a Falling Knife’ (2023). In their work, Charlie is particularly interested in transdisciplinary work, intersectional and queer feminism and the constant re-questioning of theatre and society.
Zoélie Guckert, born in France in 1998, studied ballet and modern dance at the Lyon Dance Conservatory and modern dance at the Folkwang University of the Arts. She holds a Bachelor's degree in Theatre Studies from the University of Lyon and has been studying physical theatre pedagogy at the Folkwang University of the Arts since 2021. She has worked as an interpreter for productions including Habitat by Doris Uhlich as part of the Britney X Festival at Schauspiel Köln and Die Infantin der Bandwürmer, written by Anaïs Clerc and directed by Amelie von Godin at the Folkwang University and the Ernst Busch University of the Arts.
Fine Kroke, born in Hesse in 1999, initially studied Film Studies at Johannes Gutenberg University before switching to Physical Theatre at Folkwang UdK in April 2022. Fine has also been a scholarship holder of the Studienstiftung des deutschen Volkes since 2024. Among other things, Fine was part of the dance youth club of the Mainz State Theatre, the young ensemble Rüsselsheim and the improv theatre group die Affirmative. She made her first film appearance as the lead in the radio series Girl Cave. Since studying at the Folkwang University of the Arts, Fine has performed in the interdisciplinary project ‘Synthopia - eine Verdauung’ (e.g. at the Oval Office Bar in Bochum), acted in several directing projects by various comedians (e.g. ‘culo.synechdoche of my butt’ by Gaia Pellegrini) and developed a duo ‘Living the schatz life’ with Alexandra Entenmann, which premiered at the Abfahrt Tagesfestival and was further developed for the Full Spin Festival 2024.
Denis Okatan (1990) studied German Studies and Cultural
Anthropology at the Rheinische Friedrich-Wilhelms-Universität Bonn and
is active as a performer and actor in the independent theatre scene.
Denis Okatan has been studying Physical Theatre at the Folkwang
University of the Arts in Essen since 2023 and is a scholarship holder
of the German National Academic Foundation. In 2022, Denis Okatan
performed with the international live art collective United Cowboys at
the Museum of Applied Arts Cologne and for the Dutch Design Week in
Eindhoven in the durational performance ‘BIOTOPE’. Denis danced as part
of an interdisciplinary Folkwang collective, including in the Oval
Office Bar of Schauspiel Bochum in the immersive piece ‘SYNTHOPIA’ and
worked as an assistant director in the piece development ‘(S)CARING’ by
the physical theatre company KimchiBrot Connection. A particular
interest of the performing arts is the representation of queer bodies
and new narratives under an intersectional approach.
Sofia Olivia Holz, born in 2000 in Viterbo, Italy, has been studying Physical Theatre at the Folkwang University of the Arts since 2021 after graduating in Theatre Studies and Art History at the Ruhr University Bochum. She took part in the Kunstkolleg Montepulciano and was co-organiser of the Fullspin Festival 2021.
From 2015 to 2022 she worked at the Grillo Theatre for a total of 3 seasons in the in-house development of theatre groups. In 2022 she was involved in the conception and performance of the play Happy Birthdeath. In 2023 she realised her own production: Can you hear sweat?, a physical theatre piece about female show-wrestling.
Joe Bauer studies fine arts in Suchan Kinoshita's class
at the Academy of Fine Arts in Münster. Joe designs costumes for
theatre and performance and has designed costumes for P14 youth theatre
productions at the Volksbühne in Berlin as well as for physical theatre
pieces at the Folkwang University of the Arts. In their own work, Joe
creates scenarios and installations from physical costume characters and
digital 3D animations.
Concept, Director:
Charlie Wyrsch
Co-Creation, Performance: Zoélie Guckert, Fine Kroke, Denis Okatan
Co-Creation: Sofia Olivia Holz
Costume Design, Photography: Joe Bauer
Dramaturgic Support:
Stella Ruszkowski
Light: Ferdinand Lando Vörtler
Special Thanks To: Doro Hülder
IMPATIENTS. how to make a theatre piece without being depressed afterwards? approaches the construction of madness, mental health and the pathologisation of queerness from a queer feminist perspective.
Three performers form a (movement) choir, a pathologised and pathetic body. Contradictory and unruly. A powerless and empowered body. A body that finally speaks in all its contradictions and polyphony. A body that has been patient long enough, has been patient, has been a patient.
It is an attempt to take the words that have been said about us into our own mouths and turn them around. It is an attempt to find the revolutionary power of the "disorder" without denying the pain. It's an attempt to make a piece of theatre without being depressed afterwards.
You don’t need to be fixed my queens - it’s the world that needs the fixing – Johanna Hedva
XÊR | Elvan Tekin in collabration with Saemi Jeong
Dance| Language: None
Elvan Tekin (she/her, Izmir 1994) is a Berlin-based dancer, choreographer and community organiser. In her practice, she navigates the nuances of identity and body, reclaiming spaces and cultivating a deeper understanding of collective struggles. In 2023, her solo performance ‘to be a fish in a raki bottle’ was shown at the Tanztage at Sophiensaele in Berlin. Elvan is also the founder and co-curator of the curatorial project emergentspaces, which focuses on queer and trans*-feminist perspectives in the diaspora. In 2024 she completed a Master's degree in Choreography at HZT Berlin.
Saemi Jeong (she/her) has been studying composition with Prof Hanspeter Kyburz since 2018 and electroacoustic music with Prof Wolfgang Heiniger at the Hanns Eisler School of Music Berlin since 2023. Her pieces have been (premiered) at several projects and festivals, including the M♀ZART Chamber Music Festival, Klangwerkstatt and Berliner Lautsprecherorchester. Since 2019, she has been organising the concert event ‘Series of Combined Music’ with her colleagues in Seoul, where young composers want to bring their works to a wider audience. She is also active as a member of the ‘Kollektiv Unruhe’, a Berlin-based group of musicians and composers.
Concept, choreography, performance: Elvan Tekin
Sound composition, performance: Saemi Jeong
Stage design: Camille Lacadee
Lighting design: Robert Prideaux
Costumes: Isabelle Edi
Dramaturgy: Diego Agulló
Outside Eye: Ting An Yin
Mentors: Ana Lessing Menjibar, Nik Haffner, Jefta Van Dinther
A production of HZT-Berlin with the support of [LINK] Mentorship in artistic practice in choreography by Jefta Van Dinther together with Maja Zimmermann.
Funded by the Capital Cultural Fund (HKF) and the Senate Department for Culture and Social Cohesion (IMPACT funding).
X Ê R connects the changing landscapes of voice, language, identity and body. The voice becomes a flowing stream that rebalances and realigns the existential and physical presence of the body. It moves through the dimensions of spoken language, silence, volume and the realms of being heard, being understood - or not being understood.
AUDIENCE ASSEMBLY | CHEERS FOR FEARS
Artistic Intervention
The right-wing backlash is affecting us all, but depending on the reality of our lives and our social position, we all feel it to varying degrees. Social values such as equality, participation and inclusion are being called into question. ‘Multi-crises’ and right-wing populism are causing restrictions and attacks on the artistic scene in Germany. And the network initiative Cheers for Fears, which has initiated numerous interdisciplinary connections and collaborations in NRW's (young) artistic scene over the past twelve years, is also threatened in its existence.
At the Hundertpro Festival, Cheers for Fears therefore opens up an exchange between all those who are wondering what needs to be done now. In the arts and in everyday life. For a short time, we want to interrupt the anonymity of a visit to the theatre and collect small and large gestures of resistance together. And to realise: whether behind, on, under or in front of the stage: we are not alone.
We hereby call on the audience to come together!
WALK & TALK IN THE PARK
Miteinander Unterwegs | Sprache: DE, ENG
Inmitten einer Zeit voller Widersprüche, Krisen und Umbrüche wollen wir nicht verstummen – sondern einander zuhören. Beim Walk and Talk laden Künstler*innen des HundertPro Festivals und Mitglieder des Ringlokschuppen Teams zum gemeinsamen Spaziergang im MüGa-Park ein.
Ein bewegter und bewegender Raum für Gespräche, offen für Fragen, Gedanken, Zweifel und Ideen.
Wir reden über das Festival, vielleicht über Kunst, über mögliche Zukünfte, gelebte Widersprüche; also über alles, was uns bewegt – und was wir bewegen können.
Im Stillstand ist noch nie eine Bewegung entstanden. Also: Lets walk & talk! ;)
Treffpunkt 19.45 Uhr, Drehscheibe vor dem Ringlokschuppen Ruhr
Moderation
Mari Volar is an international comedian, MC and event producer from Estonia. She's a regular feature on English comedy lineups across the continent and has in recent years taken part in a number of festivals (Edinburgh Fringe, Tallinn Fringe, Women in Comedy Festival Manchester). She's one of the founders of Festrogen, the first women-centric comedy festival in Luxembourg and runs regular comedy shows in Cologne with her collective Random Things Comedy.
Her comedic style is high in energy and cheerful, yet dry as she balances observational jokes against the reality of being a perpetual outsider. Mari proudly brings more feminism into her comedy and more comedy into her feminism, creating an over-the-top mix in both that simply cannot be missed. This is her fourth year at Hundertpro Festival and she's buzzing with excitement for this year's edition!
Choreographer, dancer, curator, speaker, and activist Raphael Moussa Hillebrand was born in 1982 in Hong Kong. Rooted in Germany and West Africa, raised in Berlin and trained through hip-hop, he completed his master's degree in choreography at the University of the Arts - HZT Berlin in June 2014. His artistic work is a fusion of body and language, a creative journey through decolonial narratives that invite the audience to rethink entrenched ways of thinking. As an ideator and founding member of the world’s first hip-hop party, Die Urbane, he advocates for decolonization, empowerment, and cultural diversity, among other issues. With his charm and openness, Hillebrand is an artist through and through, recognizing that the body is a vehicle for courageously overcoming the social imbalances in our society. In 2020, he was honored with the German Dance Award for his outstanding artistic developments in dance.
Eintritt Pay what you can (5/12/18/25€)
Ort
Ringlokschuppen | Am Schloß Broich 38 | 45479 Mülheim an der Ruhr
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